{"id":1972,"date":"2025-08-26T19:00:00","date_gmt":"2025-08-26T19:00:00","guid":{"rendered":"https:\/\/laurenhwhite.com\/?p=1972"},"modified":"2025-10-06T10:50:23","modified_gmt":"2025-10-06T10:50:23","slug":"jenis-ice-cream-x-cj-hendry-explore-the-art-of-absence","status":"publish","type":"post","link":"https:\/\/laurenhwhite.com\/index.php\/2025\/08\/26\/jenis-ice-cream-x-cj-hendry-explore-the-art-of-absence\/","title":{"rendered":"Jeni\u2019s Ice Cream X Cj Hendry Explore the Art of Absence"},"content":{"rendered":"

I\u2019ve been following Cj Hendry\u2019s work since 2013<\/a>, when she was drawing in black and white pen with painstaking precision. Back then, her focus was on surface and detail. Over the years, I\u2019ve watched Hendry push her practice outward, moving from colored pencils into immersive experiences that swallow you whole<\/a>, each new project less about the object itself and more about how we engage with it. Her latest project, in collaboration with Jeni\u2019s Splendid Ice Creams<\/a>, continues that evolution. An edible artwork called OPAQUE<\/a>, both a limited-edition ice cream and a pop-up installation in New York City, challenges one of the most ingrained assumptions about ice cream: that it should be colorful.<\/p>\n